After a pilgrimage tracing a transatlantic slave trade route ended in South Africa, Artist Xaviera Simmons traveled throughout the African continent before she had to ask herself, ‘Who am I here in this country? Who are my people?’ Simmons recalled to Elysian magazine, “[African-Americans] don’t have a motherland. Africa is 54 different countries. There is no place in Africa that I could ever go that would be my home. I’ve been all over Africa. Where can I go, and it’s like home for me?”

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Over the past several years, photography has taken place at the forefront of artistic vision. Whether due to the rise of Instagram, which glorifies effortless, gorgeous photos, the rise of a new generation of supermodels, who embody the ever-enviable wispiness and softness of ethereal beings, or the desire to tell stories in visual ways, photography has really taken hold and captivated the novel sensibilities and aesthetics of a modern era. Australian photographer Bec Parsons is the epitome of this contemporary conversion on still film.

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