For Emmy-winning writer and former journalist Cord Jefferson, directing was never at the top of his list of self-descriptors. Sure, he’d been seen as a writer in the credits for comedy shows  “Master of None” and “The Good Place,” but at the time the title “director” seemed far out of reach for him. 

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Naiomi Glasses’ journey to become a globally recognized artist is marked by resilience and creativity. Despite facing bullying as a child due to a cleft palate, she found peace in skateboarding, a passion that later became an integral part of her identity.

Originating from Rock Point, Arizona, Naiomi  is a seventh-generation Diné (Navajo) textile artist and an obscurely known skateboarder. Naiomi grew with pride and passion for indigenous American culture, and she dedicated her artistic endeavors to revealing the beauty and richness of her unique heritage. What distinguishes Naomi's style from other textile designers is her vision combines traditional indigenous American weaving with forward-thinking fashion, creating a distinctive style that has captivated audiences since she established her brand in 2015.

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Before the success of opening for legendary acts such as The Rolling Stones or Florence + The Machine, a five piece Britain-based band The Last Dinner Party cultivated an idea, an aesthetic and a brand that would, in turn, exponentially change the way people look at live music performances. 

Grounded in the idea that aesthetics are just as important as music, The Last Dinner Party played their first gig in November of 2021 at The George Tavern in London fully decked out in what they would call “Princess Diana in American Apparel Advert.” Dressed up in clothes that aggressively intertwine indie grunge with Marie Antoinette, the Baroque-pop band is creating a live performance culture that is developing an almost rabid cult fan base. 

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