In a vibrant celebration of female artistic expression, the Emma Darnell Aviation Museum and Conference Center has unveiled “EmpowerHER 2025: A Celebration of Women in Art,” transforming its spaces into a showcase of diverse creativity. 

The exhibition, which opened on March 14 and runs through April 19, features female artists from around the Atlanta area, spanning various mediums and styles—from the hyperrealistic woodburning of artist Sammie Fishman to the colorful abstract painting of Anji Ray. Curated by Tisha Smith, this expansive collection coincides with Women's History Month and aims to spotlight the multifaceted voices, experiences, and achievements of women in the arts. 

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Without curators, many artists we know and love today would not have experienced a breakthrough in the art scene. One curator, Larry Ossei-Mensah, demonstrated unwavering determination to make a cultural shift and give a voice to the voiceless in contemporary art.

Mensah is a first-generation Ghanaian-American curator who was raised in the South Bronx in New York. He was first introduced to the art world by his surroundings growing up and influenced by people in his community looking for space to express themselves. In a statement with Collecteurs, he said, “Art has helped me to understand the world around me, so I want to pass that on to those who see my exhibitions.” He also stated, “I want to create a sense that art is for everyone, not just a specific audience.” Mensah has always been the type of person who shares that knowledge with others and opens rooms for them to get noticed. He believes in giving chances to those who usually would not get a chance in these environments.

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In the bright, open space of Rusha & Co. Gallery, the image of bare skin commands the room in Yuwei Tu’s striking body of work. The young Chinese-American painter's hyper-realistic oil paintings, executed with enough precision and delicacy to confuse viewers that they are photos, invite audiences into an intimate exploration of human form and identity. Through her inaugural solo exhibition in LA, “Wherever Your Mother’s Shadow Falls” Tu investigates the intricate relationship between emotion, embodiment, and the self, using the interplay of light and shadow across detailed fragments of the body. 

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Alex Idoko
doesn’t wield your average artist toolkit. Instead of paintbrushes, Idoko has blowtorches. Instead of paint tubes, he has cans of gas. And instead of paint? Fire. 

Idoko is a self-taught pyrography artist based in Abuja, Nigeria. Pyrography, or the art of decorating or writing a surface with fire, has been around as long as humans have been making–and taming–fire. But Idoko has revolutionized the field with his self-titled technique called “pyro-fusionism.”

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