The personal lives of celebrities will eternally be the subject of great curiosity for the majority of humanity who spend their lives out of the spotlight. For those under it, their existence is poked and prodded from the removed medium of tabloids and reality television. Regardless of whether the information is true or false, people of all identities find themselves snagging the latest issue of People at the grocery store checkout counter. Monumental events in a celebrity's life, such as a wedding or a fiftieth birthday celebration, have a tendency to be more heavily guarded from the press. This results in a hyper fixation on the event by the press as speculative articles flow alongside an equal number of stories about pathetic paparazzi who broke their leg trying to jump a ten-foot tall fence so they could snap Kim Kardashian saying, “I do!” on camera. 

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Sculpture is an entirely different and unique art form; it is tangible and interactive, and almost begs to be touched. Whenever I am strolling through an exhibition and come across a sculpture, I have the sudden urge to touch the surface of it to feel the texture of the piece. I resist this urge and observe from afar, like any dignified museum-goer, but it always makes me wonder why human beings feel the need to respond physically to an art form. 

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Gender norms are tough. We are raised and taught as children that certain clothing items are fair game, while others are off-limits for no reason other than being “too girly” or “too boyish.” The restrictive confines of gender are piled upon us from a young age in both subliminal and direct messaging that causes a justifiable amount of confusion for individuals in our society. But what if we didn’t have to choose? That’s why Ukranian fashion designers Dima Chayun and Anton Yakshyn launched their brand Chakshyn in 2015, a clothing line inspired by the glaring but often overlooked shared aspects of masculine and feminine clothing. 

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