A New York-born Israeli artist is turning buildings into playable works of sensory art. Bringing elements of sculpture and sound together, the visionary (audio-nary) creator Naama Tsabar reintroduces music as a collaborative practice. 

Tsabar’s visual artwork frequently intersects architecture and audio. Many of her installations are collaborative in execution, and she often works with women and gender non-conforming, classically trained musicians to present haunting and tangible audio spaces. 

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Temptation is not simply an emotion. “Temptation” is the name of a piece of art.

It is 95 centimeters long and 120 centimeters in height. It's a painting with a fibrous quality – chaotic yet controlled swishes of rust orange and jade green hues clash, overlap, fade, and burst in colorful unison. And just beneath its titillating title, the description of the piece reads:

“Mixed Media, raw silk & oil on canvas.” 

“Temptation” is one of many paintings created by abstract, German-based artist Fintan Whelan.

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Let’s make one thing very clear – “John Wick: Chapter 4” is not a movie, at least not a normal one; none of the “Wick” films are. 

Instead, they are long, incredibly choreographed scenes of badass Canadian actor Keanu Reeves shooting, punching, and stabbing his way through brief moments of plot and story. That is how I can best describe the films that precede its senior release. 

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Throughout the history of humankind, people have been marking their skin with ink tattoos, and for thousands of years, these pieces of art on human canvases have served many different purposes. At the Atlanta tattoo festival, I learned that tattoos are a beautiful means of community and connection. As someone without tattoos, I dove “skin first” into an unknown territory.

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